I have been utilizing the welding process in making my sculptures for 30 years. It is a straightforward, effective method for joining metal together—but there are some downsides. Biggest of these is the warping that occurs from the adding of heat; second is the aesthetic requirement of dressing the welds. Grinding and finishing out the weld beads and the associated discoloration around them (chasing) is time-consuming and, frankly, painful. I’ve experimented in the past with alternative methods of joining parts, like here:
I thought I’d try using rivets to assemble a larger piece, and “Interwoven” seemed like a great candidate, as warping and chasing out the welds on this beast would be bad. Very bad.
This did end up translating into many, many more hours of tedious design time on the computer—but that’s the price for ART!!! I placed over 2000 paired holes into the model and designed a simple tab to span the seam where two parts meet.
A note for the geeks: this shape was generated parametrically with code in the Grasshopper plug-in for Rhinoceros, and is based on the famous strip of Mr. Moebius. The chief challenge here is determining just how to go about realizing this mathematical form; there is no “front” or “back” and the the inner edge becomes the outer, and vice versa. Add to that the way the “faces” weave through each other, and you have a real head-scratcher on your hands/brain.<div class=” sqs-gallery-container sqs-gallery-block-stacked</p></p>